The
second half of 2014 was full of changes for me on personal front. I
finished university, got thrown into the whirlwind of looking for a
job, and then finally finding it as well as finding out I got
diabetes. Naturally with a change of lifestyle and schedule I have
not been able to keep up with Bollywood (or other things) as much as
I would have liked to, and so the films I have watched were fewer. As
you may have noticed also by lack of activity on this blog. The
following are the ones I still managed to see:
Entertainment
Directed by: Sajid-Farhad
Starring: Akshay Kumar, Sonu Sood,
Prakash Raj, Tamanna Bhatia, Johnny Lever, Mithun Chakraborthy
My rating:
destroy every copy – horrible
– bad –
whatever
– flawed
but enjoyable - good – great –
amazing
This
could have been a truly great family entertainer, had it not been for
too many hurt crotches, a useless (and awful) song about being forced
to drink and perhaps too much not-funny violence near the end. Also,
the amount of film-references is like a tsunami which almost makes
you choke for air. Akshay, Sonu Sood, Prakash Raj, Johnny Lever - all
are effortlessly funny in this over the top comedy, in which the
over-the-topness is fine since you have never been expected to take
it seriously. Unlike another film of the similar sentiment -
Humshakals - it remains watchable throughout, and that a dog might
inherit a business empire is still more logical than that a potion
can change your DNA and turn you into a dog. And while Tamanna (who
was meant for better things in life) has a very small and basic role,
the picture is not insulting women (still comparing with
Humashakals). Entertainment is a stupid name for a dog, or for a film
for that matter. If you are a big Akshay Kumar fan, you might enjoy
parts of it. Like the scene in which Akshay interacts with a bunch of
different dogs in the jungle. "Hey, Germand Sheperd! Has you
father ever been to Germany?!"
Singham Returns
Directed by: Rohit
Shetty
Starring: Ajay Devgn,
Kareena Kapoor, Amol Gupte
My rating: destroy
every copy – horrible – bad –
whatever – flawed but enjoyable - good – great –
amazing
– experience
Bajirao Singham is
possibly my favourite action masalla hero, but I would have been
happier if he had not returned, as the sequel is no patch on the
first film. It is much less focused, and there is no engaging
storyline, at times it actually felt as if Rohit Shetty just shot for
two different films and then he glued parts together. Inconsistent
and eventually boring, Singham 2 gets easily short of breath. The
character of Bajirao and its portrayal by Ajay Devgn are still as
awesome, but the script was really weak, with no meat at all. It
doesn´t help that the villain is more comical than scary, and hence
there is no tension between Singham and his enemy – which was
exactly what made the first film interesting. Finally Kajal Agarwal
has been disposed off (her character of Singham´s wife is never even
mentioned – here´s to disposal of actresses, right?) and replaced
by Kareena Kapoor, who manages to be annoying as hell. This was
really not a role for her. Anyone would have been annoying in it, but
she was an utter miscast, even if only because she has done the
loud-mouthed energetic girl so many times before – and better. No,
Singham should not have returned.
Following the release of
the testosteron-overalod three “women oriented” films burst onto
the cinema screens. After a fairly awesome Mardaani and less awesome
and overpraised Mary Kom, Bipasha Basu fell into deeper chasms of
“plz stahp” with yet another horror.
Creature
Directed by: Vikram
Bhatt
Starring: Bipasha Basu
My rating: destroy
every copy – horrible – bad –
whatever
– flawed but enjoyable - good – great –
amazing
It is 2014 and yet films
like this are being made. Even before the opening titles start you
would have already encountered the “creature” and thus taken away
the element of surprise and wondering. Then you are thrown into a
very basic bunch of people who are as cartoonish as one could
imagine. Within twenty minutes you know the reason which makes the
“creature” behave the way it is. Why should you even bother
watching any more? You should not. And I only went on so I could
convince you to spare yourselves. The film boasted of the use of
special computer effects, however the creature looks weird, for the
lack of better word, and never manages to create an illusion of
actually existing. Dialogues are poor, logic took a holiday. People
in horror films are generally of low IQ, but yeh log deserved the
Darwin Award (“You go find a bullet and I will keep the empty gun
so both of us have no weapon!”). Intimate relationships are created
within a day, there are stuffed artificial panthers being hunted
down, and police distributes heavy weapons among the civilians just
like that. Sometimes the creature can smash down the door without
problems, other times it is too big of a problem. Sometimes it
outruns a speeding car, few minutes later it cannot catch up with two
people running. The closer the film gets to the climax, the more
boring it becomes. Most importantly there is hardly any story. The
plot is simple – a mythical demon kills in the woods so let´s go
and kill it. That is it really. If I wanted two hours of shooting and
running I would watch the Olympics or something. Performances are
wooden and basic, and it seems to me that the lack of good scripts is
slowly but surely reducing Bipasha Basu to certain irrelevance. On
one hand I am glad she does not depend on big names and labels to do
a film, on the other hand she should really think her projects
through. Films like Players, Aatma and now Creature do her more harm
than good. Which is really sad because I think she is a fairly good
actress. BTW nobody had to die if they just brought a flamethrower
with them.
Sadly for Bollywood Bipasha is not the
only performer who is running short of breath and keeps doing bad
films.
Raja Natwarlal
Directed by: Kunal Deshmukh
Starring: Emraan Hashmi, Paresh
Rawal, Deepak Tijori, Kay Kay Manon
My rating:
destroy every copy – horrible
– bad –
whatever
– flawed
but enjoyable - good – great –
amazing
Emraan Hashmi remains the poor man´s Anil Kapoor, dressed in shirts which are obviously too tight for him. And everyone acts better includuing shot-20-minutes-in Deepak Tijori, criminally underused Paresh Rawal and not at all sexy though she tries soooooo hard newcomer Humaima (then again she has little to work with besides swirling her skirts around a night club to the playback of unremarkable songs). A film about a conman can be both funny or dramatic, but in any case it should be clever. Raja Natwarlal offers neither wit nor brain-stretch. The plot is as thin as a wet paper and everything too easy for everyone. How did the villain know who stole his money? He just did. How did the police find out about Raja and his group? They just did. Everyone knows everything to the point you really wonder why is there any conflict at all. Boring, nonsensical and stale movie. Instead of blood this avenger should sip milk.
I took some delight in Finding Fanny
and was genuinely pleased with Daawat-E-Ishq (review coming
eventually), and then after Deepika and Parineeti it was Sonam´s
turn in trying to charm me.
Khoobsurat
Directed by: Shashanka
Starring: Sonam Kapoor, Fawad Khan,
Ratna Pathak Shah, Kirron Kher
My rating:
destroy every copy – horrible
– bad –
whatever
– flawed but enjoyable - good – great –
amazing
Average entertainment with some bad
songs, which just might fit your mood for something light, or it
might make you angry with how terribly basic it is. There is
absolutely nothing new or fresh neither about the story or Sonam
Kapoor in the role of whacky, cutesy, "modern" girl.
Impossibly handsome and suave Fawad Khan thus takes the cake as a
show-stealer, being very natural and charming. But to give Sonam some
credit, she does well with her own limited abilities, and does not
annoy. Furthermore she is simply beautiful to look at, no argument
there. What a pity these two beautiful people share no chemistry
whatsoever. The whole film looks and feels like cotton candy,
fortunatelly all the gloss and sweetness lets some nice moments to
reach out to the viewer. If I definitely liked something was the fact
how Mili managed to make everyone in the royal family realize their
lack of communication. That was a lesson few more families, filmi and
real, should take.
Bang Bang (review coming eventually), Haider, Happy New Year (review coming eventually) –
those were the big releases of the autumn days. I loved none,
though Bang Bang entertained me, Haider made an impression and Happy
New Year... just happened to be honest. The year ended on a high with
PK, but before we could get to it, there was still some suffering in
the store.
The Shaukeens
Directed by: Abhishek Sharma
Starring: Anupam Kher, Annu Kapoor,
Piyush Sharma, Lisa Haydon, Akshay Kumar
My rating:
destroy every copy – horrible
– bad –
whatever
– flawed
but enjoyable - good – great –
amazing
Just when I
thought Yaariyan and Humshakals were the sleaziest films of the year,
The Shaukeens came and gave those two a tough fight for the spot.
Three sex-starved over 60 perverts on the hunt for physical
pleasures, oogling over each girl they meet (correction: each girl
that fits the standard model type). Their behavior is not really even
desperate, it is downright disturbing. There is nothing even remotely
funny about situations created for them, and I was left severely
repulsed by what I saw. Second half of the movie I have only skimmed
through, unable to bear any more. Lisa Haydon crowns the awfulness of
the film with her performance, which, I am sorry to say, is simply
pathetic. Awful, vulgar, and everyone involved in making it should be
ashamed.
Happy Endings
Director:
Raj and D.K.
Starring:
Saif Ali Khan, Ileana D´Cruz, Ranvir Shorey, Kalki Koechlin, Govinda
My rating:
destroy every copy – horrible
– bad –
whatever
– flawed
but enjoyable - good – great –
amazing
Either Bollywood romantic comedies are loosing breath or Saif Ali
Khan is. I think I´d put my money on the latter. The careless player
of a lover has been Saif´s most successful domain in the past ten
years, but he truly has grown out of the image, but apparently have
not noticed. I believe his last successful film of this kind was
Cocktail, and that one I do not hesitate to ascribe to Deepika, who
shouldered the whole thing. The film gets better in the second half,
with Ileana being just lovely, but sharing no chemistry with Saif.
The blink and miss cameos by Preity and Kareena showed me Preity in a
much better light than her comeback film, and those few minutes of
Kareena reminded me that I have missed her on screen (Singham 2 does
not count). The film has no plot, no drive and no push, even though
there are some cute moments. However, are we not all tired of
pathetic middle-age men with commitment-phobia? They have become a
trope, and not an endearing one. The film passes by like a breeze on
highway ride, without much to be noticed. It is definitely not a
cinema piece, felt more appropriate for a DVD watch.
I turned off “Ungli” - another boring Emraan Hashmi film – 20
minutes in, and I refused to watch Action Jackson. And so that really
was 2014 Bollywood for me. Maybe one day I will find courage to watch
more?