Dulhan Hum Le Jayenge

Directed by: David Dhawan

Starring: Salman Khan, Karishma Kapoor, Paresh Rawal, Om Puri, Anupam Kher

Released: 2000

My rating: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing

Often my readers accuse me of not being able to appreciate films which are meant to be „just fun“, films that are purposefully mindless, silly and unrealistic. They say I cannot enjoy anything that is not meaningful. And so I sat down and tried to think of a movie that was all that and I would have liked it. I did not have to think for long. A line up of such films exists and Dulhan Hum Le Jayenge (which at first confused me because the title was just too similar to Dilwale Dulhania Le Jayenge) is one of them. Coming out of David Dhawan´s workshop, it ranks among his better efforts, before he went into a long and fruitless period before being somehow revived by his (so far) latest outing of Main Tera Hero.

It is a story of Sapna (Karishma Kapoor), white-clad, long-haired, blue-eyed virginal niece of three rather eccentric uncles, who all make her their personal crusade by forcingly trying to shape her according to their own lifestyle. Thus the strong, wrestling sportsman tortures her with rigorous exercise, pious devotee insists on her spiritual development and the forever young disco lover just wants her to be a modern vixen. Naturally the poor girl wants nothing but to be herself, and so one day she secretly joins a group of tourists traveling to Switzerland. Among the travelers is also Raja (Salman Khan), already determined to make Sapna the Queen of his heart. But conquering her is the least of his troubles, since ultimately he will have to impress the uncles. All of them.

Judging by the wardrobe neither were sure of what the climate of Switzerland actually was like.

Now, you really cannot look for „meaning“ and „depth“ in this one, can you? But you can enjoy it immensely and I did. Perhaps because even the over the top performances seemed earnest, perhaps because it was cute and fluffy and funny without need to use profanities or lewd sex jokes. Maybe it was Johnny Lever dancing. Maybe I was simply in the right mood. Dulhan Hum Le Jayenge serves you comedy laced with youthful enthusiasm of the main leads and great combination of great supporting actors, and there are some hilariously choreographed (but back then highly cool) catchy songs (complete with puzzled foreign onlookers). Not all films that may claim to have the same hold my love, and I suppose many times I just go by instinct (and my, am I picky!). Some films just do not feel nice. This one does.

Unlike the horrendous Biwi No. 1, this film provides greatly for all Salman-Karishma shippers, among whom I count myself. They are one of the grossly underrated jodis. Neither of them is a stupendous actor, but they bring out the crazy best out of each other. They seem very well suited and there is cheekiness to them both which beautifully underlines their chemistry.

As usual my feminist side was not entirely happy with the movie, since there is lots and lots of men deciding for the girl in this film. Even the happy ending is ensured only thanks to Sapna´s grandfather. At few points it actually gets regressive (talking here about two scenes especially: when Sapna is immediately sexually attacked while thumbing a lift, and when Raja hits her when she is dancing with two horny men. Given both things were stupid of her, the whole thing played it on stereotype that INDIAN girls do not behave „like that“). Well, at least nobody makes a big deal out of Sapna´s change of image from baggy clothes and pigtails to sexy mini-skirts and fashionable hairdo.

So there you have it. That „pure fun“ film I like. Go and watch it. It might just be the right thing to brighten your afternoon.

Fiza

Directed by: Khalid Mohammed

Starring: Karishma Kapoor, Hrithik Roshan, Jaya Bachchan

Released: 2000

Verdict: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing

The Kapoor Khazana continues! After Rishi´s sweaters the next one of the family who deserves a mention is definitely Karishma Kapoor. After all, she is my favourite of the whole khandaan.

Fiza – what a simple name for film with such a nerve-wrecking story and also for a girl with so much to live through. Once a member of a small Muslim family consisting of her, her mother and younger brother Aman, Fiza has first been faced with the non-sensial cruelty of this world when Aman disappeared during the unrests of Bombay Riots in 1993.

Both mother and daughter left behind have a hard time coping with the painful issue, but where Fiza finds enough strength in her youthful stubborness and occupies herself with studies, her mother refuses to accept the possibility of her son´s death. Every week she goes secretly to a police station to inquire about her son, unaware Fiza knows only too well where she goes. And so Fiza suffers not only for the lost brother, but for her mother as well. Such situation lasts whole six years. 

Once a happy family...

After much crying and shouting Fiza decides she has had enough of uncertainty and living on hopes and starts searching for Aman. But everything fails her – the law, the police, politicians.... bribing, threatening, pleading..... nothing brings any fruit, and only makes Fiza more confused as well as hated. She is slowly becoming a public figure and people, who similarly lost their loved ones, are looking up to her. All in vain. Aman seems to have disappeared from the face of the Earth, and nobody can confirm or deny his death.

But fortunately it is year 1999 – the age of internet has come! And a guy, who has been trying for ages to impress Fiza, googles out (cause it sounds stupid if I write "yahoos out") a photo of a terrorist group operating in the border area. And Fiza recognizes similar features in one of the photos. Refusing any company she sets out to find the person in the picture, and yes, on one night she finally, after six years of complete uncertainty, finds her brother. Very much alive. And very much a terrorist.

Yahoo saves the day

Fiza is a basically a family drama, but interestingly enough it portrays it more as three individual stories. There are different points of view on the same situations, all influenced by the character´s background and experience. While traditional, peace-loving mother cannot understand the tragic changes in her life, and ends up committing suicide with a feeling that she has failed in her most sacred task of raising her children, stubborn, adamant and hard-to-please Fiza uses anger to hide her pain. Because you feel that deep inside she is very fragile. And she knows that if the world saw her weakness, it would crush her completely. And then there is of course Aman, the most innocent soul, who after witnessing horrors, adopts a simple belief that freedom and justice need to be fight for with all possible weapons. They are all bound by deep love, but they all completely lack understanding and many a heartbreak comes out of their helplessness to communicate.

A rare sight - Jaya Bachchan NOT crying in an emotional scene.

Karishma owns the film. She is perfect as Fiza. Her gentle appearance moves you even more when she reveals the hidden outrage. Her eyes are giving out all the emotions, everything is very honest and straight about Fiza. I think one scene I could have done without was her dancing in a club. True, she wanted to show others that she could act as all other girls if she wanted (but she doesn´t care to do so, because... she´s not!), but the weird choreography made her look awkward and didn´t really take the advantage of her excellent dancing skills. Also Fiza is one of the rare films where she was not made to wear skimpy clothes and ultra-short skirts, instead a simple white Indian attire and later more modern, but still not revealing clothes perfectly captured her character. Not to mention she look heavenly in white.

There is something about white colour, that makes you feel the inner strength.

The film has also another rare exception – and that is that I actually liked Jaya Bachchan. I find this woman terribly annoying, just her presence on the screen often makes me cringe, but here she was somehow different. I cannot really put my finger on it. She just was. Maybe because for the first time her crying wasn´t constant and didn´t look artificial. Maybe because her dialogue delivery wasn´t so clichéd. Maybe because she really succeeded in creating a bond with Karishma and Hrithik on screen. And speaking about Hrithik, for me this was the best performance he has given that I´ve seen. Yes, I rate it higher than Guzaarish and even Jodhaa-Akbar. His physical resemblance to Karishma was only a plus and they created a wonderful sibling combination. 

If I didn´t know better, I would easily believe they ARE brother and sister.

It is true though, that I did not understand the relationship between Fiza nad her mother. The way it was portraited in different scenes left me rather confused. We see them chatting away merrily, and the next moment Fiza is screaming that her Ami should forget Aman forever. Another time Ami is crying and Fiza is telling her not to give up hope. These constant changes in what Fiza wanted her mother to do were not handeled too well.

The numerous supporting cast does a good job, though nobody really stays in mind, except perhaps Johnny Lever (another rarity – he is funny and not OTT). Sushmita Sen did an item song for the film, but I must admit I was not taken in by her dancing or the song itself, and fast-forwarded through most of it. 

Film works in both parts and doesn´t loose the pace or thrill, the ending comes of as downright nail-biting and very moving. You just don´t want Karishma to pull that trigger. And on the other hand you want Hrithik to be finally given the peace only death can offer. I read that Fiza did not do well at the box office. Yet another proof that the success of the film does not automatically comes with quality.