Directed by: B. R. Chopra
Starring: Rishi Kapoor,
Rati Agnihotri, Poonam Dhillon
Released: 1985
Verdict: destroy every
copy – horrible – bad – whatever – flawed but enjoyable -
good – great – amazing
Since few days ago it was
Rishi Kapoor´s 60th birthday I decided that I should
review a film that actually made me change my opinion about him.
Originally I knew him as the fat and awkward guy who romanced girlshalf (and quarter) his own age, and if anything I found him
ridiculous. But then he grew onto me in his father roles, and finally
I thought it was about time to watch some more 80s and chose Tawaif
with Rishi in the lead role. Attracted primarily by the title (I have
a thing for Bollywood tawaifs/prostitutes/courtesans), I was
presented with a very nice film. And Rishi was suddenly cute instead
of ridiculous.
Dawood, a young man in
possession of a one room apartment in a friendly neighbourhood and
working for a publishing company, meets a beautiful young girl
Kayanat, an aspiring writer. She is naturally overjoyed when Dawood
introduces her and her novel to the publisher and all seem to be
going well both for Kayanat´s career and Dawood´s love life, as he
soon enough finds completely enchanted by her. However then one night
Dawood opens to the door only to have a tawaif forced into his house
by her pimp escaping from the police. All the protests are in vain
and Dawood, in fear for his life, has to take the woman, named
Sultana, in and that for quite some time. For the matters to go even
worse his neighbours find out about her existence the very next day,
and assume Dawood got married in secret. And to avoid embarrassment
both him and Sultana decide to go with the flow, letting the
neighbourhood to celebrate their fictional marriage while they sleep
in a room divided in half by curtains. As the time passes, Sultana
becomes favourite of everybody around – except Dawood, who is still
pining after Kayanat....
Rishi is quite adorable as
poor but honest Dawood. Indeed suddenly I was able to see why he used
to be so popular when younger. Far from being exactly good looking,
he had cuteness written all over him, not to mention his comic timing
was wonderful, and there are quite a few scenes in the film where he
can prove that to you. His initial disgust over Sultana and
frustration over not being capable to romance Kayanat are a source of
some good humour when they clash with Sultana´s quick adaptation to
her new role of his wife.
Rati Agnihotri makes
Sultana a beautiful, interesting tawaif character. She does not have
the depth of Chandramukhi from Devdas or Gulabji from Pyaasa, but she
combines excellently the vulnerability of a woman for sale and rather
unladylike behaviour taught by "her world". As weird as it
may sound I found her a "fun" prostitute (sounds even
weirder now that it´s written down). I did not like though how the
film made it sound as if a tawaif wasn´t a woman, but some low
species unworthy of breathing air (I sense some strong Pakeezah inspiration here). Rati is the showstealer, even though Rishi acts
very well as already mentioned, and Poonam Dhillon in the supporting
role of Kayanat does her job with sincerity too.
The finale though,
was kinda hilarious instead of touching. So the whole community
somehow makes their way into a brothel of all places to claim
Sultana, not one of them suffers of prejudice against her profession.
The pure naivity and cheeziness of it made me laugh, but I am almost
never against heart-warming (even if unrealistic) endings.
I still find RIshi Kapoor a litte ridiculous, but yeah he has made some good films.
ReplyDeleteI am affraid I too will forever patronize him a bit, looking at him with a smirk on my face, but I no longer have such troubles in seeing him as the hero.
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