Directed by: Mohammed
Sadiq
Starring: Guru Dutt,
Waheeda Rehman, Rehman, Johnny Walker
Released: 1960
Verdict: destroy every
copy – horrible – bad – whatever – flawed but enjoyable -
good – great – amazing
Even in black and white
the visual beauty of this movie is astounding. The costumes, the sets
- and of course the heroine - all is just overwhelmingly gorgeous.
Wonderful camera work that takes into account the magic of light and
shadow managed to capture even the smallest details. As a result
Chaudhvin Ka Chand reminds one of a long lost fairytale or a dream
long ago forgotten, but all the more familiar once before our eyes
again. And once the films switches to colour for a little while,
during the iconic title song, you could just faint at all the beauty.
Interestingly enough having only that one song in colour while the
rest of the film is in black and white, only ads to the magic
overall. Sadly, the story itself
let me down. When Pyare (Rehman) sees a beautiful girl at a market,
he is completely besotted and immediately falls in love.
I so don´t blame you Pyare. |
However soon
he looses her in the crowd. Fortunately for him the very same girl
attend his sister´s birthday celebrations, and so Pyare entrusts a
servant with a task to find out her name and whereabouts. The servant
indeed does have a name for him after a while, but unknown to Pyare,
she got mistaken and identified another girl for him. Without
checking anything or asking anyone (least of all his own sister),
Pyare has a marriage fixed, and the only thing that seems to be
between him and his love is his mother insisting he marries a
daughter of a priest and family confidant. Pyare thus seeks help with
his best friend Aslam (Guru Dutt), and wants him to marry the
priest´s daughter in his stead, to save his own happiness. And
Aslam, a good friend he is, readily agrees.
Without even looking at
his friend´s new bride, that he himself drove into his arms, Pyare
is in for a nasty shock, as he realizes the girl he is supposed to
marry is not the one he´s been looking for. And it shall remain
unknown to him for a long time after that still, that it was actually
Jameela, a daughter of the priest, who now has found her home with
Aslam, who too has fallen madly in love with her. Till now I was
absolutely charmed. However as much as I loved the first half, that
much I was shaking my head over the second. Yet again we deal with
sacrificing love on the altar of friendship, a concept, as I
understand, this movie actually made popular, however in this
particular case it is all worse because one of the friends already
married the girl in - and yet he still is trying to find way to to
push his wife into somebody else´s arms. I was genuinely frustrated
by the character of Aslam for doing everything stupid just to ensure
his friend be happy, while in the process he is destroying himself
AND the woman he loves, without giving her any explanation. Why is he
so unable to tell his friend the truth, I might understand, but why
he is equally as unable to share the secret with his wife? Especially
after he must have realized she is not leaving him in spite of
anything? The scene in which he tells her a story about a precious
stone that a friend unknowingly gave him, in spite of wanting it
himself, made me want to scream that this was no inanimate object he
was speaking about, it was his own wife, and to compare her to a
thing, no matter how precious, was just completely off-putting.
In the end I was seriously
mad as selfish Pyare, for whom the whole world obviously needed to
make a sacrifice, and I was rather miffled with Aslam, who goes
nearly mental by the end of the movie. At the same time I did feel
sorry for his plight, which I guess has a lot to do with Guru Dutt´s
ability to portray a complete disintegration of a personality with
such conviction. Johnny Walker as the third friend has way too much
screen time for my liking, fortunately his character was not so
completely over the top as usual, and so I could tolerate him.
Waheeda Rehman is a stuff
of legends. It was definitely not enough of her in this film, that
ultimately is more about the two friends than love between husband
and wife (which is a pity because her scenes of marital bliss with
Guru Dutt were the highlight of the film for me), however she was an
appropriate choice for a film like this, because apart looking as
breathtaking as if she has just stepped out of the pages of a
Tolkien´s book, she is one of the few actresses who just needs to be
in the frame and she completely draws attention to herself and leaves
audience in awe and wanting more, in other words exactly the kind of
a woman that could make others fall in love at the first sight so
passionately.
While the plot and the
story were disappointing for me, the technical aspects of the film
win some points, as already mentioned. Also - some of the scenes are
just wonderful examples of love and romance. Aslam scaring his shy
bride describing how hideous he is until she panics and throws the
veil away from her face to look at him, when he finds her asleep by
the door, waiting for him and carries her to her bed, even a little
scene near the very end, when he stops her going into the room Pyare
just died and silently draws a veil over her face, the very face
which was the reason of that death – all that and more made me fall
in love with the love Aslam and his wife shared. All I wanted was for
Aslam to come to his senses, and after some impuls stand up for his
love, rather then mope and making her suffer for the sake of a
selfish friend. Yes, there was a scene like that, however
unfortunately it did not lead to a finish I would have preferred. So did I like the film or not? Looking back I did, however I realized I pretty much erased all the scenes that made me fume with frustration from my memory. All that I remember and that I dearly love is the beauty - of the costumes, the sets, the music, Waheeda and her loving moments with Guru Dutt.
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