Dil Ka Kya Kasoor

Directed by: Lawrence D´Souza

Starring: Prithvi, Divya Bharti, Suresh Oberoi

Released: 1992

Verdict: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing

I could very easily have „I love me some 90s“ written on my forehead and it would be true. There is something about that period and movies that came out of it, that fascinates me. There is something in those movies that makes them work for me. Mistakes that are so painfully obvious, do not irritate me – at least as long as the film manages to offer me an experience, if it makes me feel something. Because that is what 90s Bollywood is about for me. Making you feel. If Dil Ka Kya Kasoor was made today, with the same flaws it has, in the same tone, it would probably be extremely cringeworthy. But as an early 90s movie it works. At least to an extent. It is not among the best films though. But I did cry at the end, and had maybe too many feelings to handle for a little while, and so, in spite of everything, I need to present it in a more favourable light (although I´m sure people who understand human body and medicine would have a lot to say on this movie...)

Divya Baby. This review is actually just an excuse to rave about her.

While the first hour pretends to be the been there/seen that teenage romance, it is anything but. Shalu (Divya) is known to be a very unpleasant and arrogant rich girl in her college, and the only one not scared of her is Mr. Scholarship from Dreamland of Just and Honest as well as Well-behaved – and Poor (Prithvi, whom I´ve never heard of before and who looks a bit like young Hrithik Roshan). Shalu promptly falls in love, as he is strumming his guitar and singing on stage – one of the songs she herself has written and published under a pseudonym. She doesn´t have the guts to tell him, and after a talk with her brother, who sensibly advices her to wait until Mr. Perfect manages to find himself a good job and reach something, she agrees, but decides to give her beloved a career boost. Under her pen name she writes songs for him, from her own money she pays for his shows and publicity. Thanks to her he becomes a pop star (who for whatever reason makes headlines on film magazines and is even keeping two Filmfare awards at his night table). He has become someone. Shalu can get married! Or no?

The story takes a rather unexpected twist when the hero gets married to another girl! He is not dating her, he is not even engaged, he is downright proper married and soon with baby on the way. And not even Yash Chopra was brave enough to tear apart a couple expecting a child, so you can guess there and then this may not really have a happy ending. In fact we are for some really depressing and even unusually gruelsome stuff.

While the story is interesting, the film suffers a lot from bad editing and did not age well (something not many films from that time managed to avoid). Of course, everything modern and cool in it actually WAS modern and cool back then, so in the end I just shrugged my shoulders and asked "Film Ka Kya Kasoor". In spite of that sometimes I just couldn´t help but laugh silently at the horribleness of fashion - and oh my, those stage performances!!! I guess nothing will make the dying girl you never loved more happy than you singing a mournful song with brides and skeletons dancing all around on the set intentionally made to look like a cemetery. The logic of the ending – or rather lack of it - I´d rather not go into.

There are only two notable performers in the movie, and Prithvi is not one of them. The hero had looks, but did not overflow with talent, and most importantly felt extremely thanda. He was completely overshadowed by his heroine and Suresh Oberoi. Shalu´s elder brother (because a man in his forties just cannot be an 18-years-old girl´s father) and his suffering was almost too overwhelming. Plus the man has one of the best voices in Bollywood. 

But ultimately Dil Ka Kya Kasoor is worth watching for Divya. She is the heart and soul of the film, and apart from several minor gestures, this is her most mature performance I have seen, probably her best. Two, three films of hers I´ve seen before showed me she had screen-presence and was beautiful (oh she was gorgeous!), and I did see she had potential, Dil Ka Kya Kasoor showed her to me as a good actress, who could easily become a great one. Shalu´s girlish dreaming, her hurting heart, her resignation as well as the utter happiness she gets upon a mere sight of the man she loves, all that was hurting me as a viewer as much as it was hurting the characters on screen. But it was not to be. Divya Bharti is locked within that short timeframe of early 90s for us. She belongs to it just as frilly dresses and big colourful plastic jewelery belong to her. Her death turned her from an aspiring superstar into a tragic Princess, almost a stuff of legends. Within few weeks it will be twenty years since she has passed. And yet immortal, captured by camera lenses, dressed in a ridiculous outfit and with overwhelming innocence in her eyes.

Bol Radha Bol

Directed by: David Dhawan

Starring: Rishi Kapoor, Juhi Chawla, Kader Khan, Shakti Kapoor, Alo Nath, Mohnish Behl

Released: 1992

Verdict: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing

The Kapoor Khazana month is on the track and it gives me a perfect excuse to put up several reviews I have been too lazy to write so far. Let this be the first one then!

I would like to make it clear that I do not hate Rishi Kapoor. I really don´t, even though you can (and will) see me making fun of him most of the time. I find him hilarious to watch and there is something about him that I just cannot take seriously, even if he´s playing emotional scenes and serious roles. Sorry, Rishi-ji. But in this you opted for a role of a romantic lover AND a rocking super-talented musician.

Juhi. Something easy on the eyes first.

Rishi, hidden in the film under the name of Kishen Malhotra, is a grown-up man with the mind of a teenager (why Rishi, why?). All he does all day long is fantasizing about his Radha, aka some girl who´ll return his love. There seem to be no special requirements for the girl, as he throws himself on every single one. And if none is in sight, he recites his pick up lines to his dog. After making an enemy in one of his collegues (the dog discovered he steals from Kishen´s company.) he sets up happily to open a factory in the country, that has been closed down for years, an obviously all the workers had to wait till he comes and tell them to repair everything (sometimes the villagers are so dumb, nah?). Not surprisingly Rishi finds his Radha among them – the beautiful Juhi Chawla, who obviously thinks his wardrobe full of those famous knitted sweaters is cute. Some singing and several English lessons bear their fruit and we have a romance blooming. But as soon as the factory is set up and Radha agrees to marry Kishen, he has to return home to inform his mother about everything. He only arrives there to find out his mother died. And not only that. He finds out somebody else is pretending to be him!

There are TWO of them? Somebody save me...

How is it possible? The impostor looks exactly the same! Kishen is thus thrown out of the house, only to be left wondering, who is the other one and what in the world is happening! While trying to figure that out, Radha is dying of longing for her lover, and in the end she decides to travel to the city herself. After coming to Kishen´s house, she finds his double drinking and being merry with girls. Thankfully a bit later she bumps into the real Kishen. Together they are searching for the truth, find out the real identity of the impostor. And then they work out the plan of how to outsmart him.

Bol Radha Bol is a decent flick, during which I had several really good laughs, some of them definitely not for the right reasons. As you might have already noticed, I found Rishi being ridiculous in his role (yet again). There is no doubt he is a very good actor with a likeable factor, but well, his looks and choice of roles betrayed him. He was in the „cursed“ state for an actor during this time – too old to be romancing young girls and too young to play their father. His pairing with Juhi hence doesn´t look convincing, though they do not look as bad together as Rishi/Madhuri or the example worst of them all Rishi/Divya Bharti. Rishi doesn´t look good neither as an immature good guy Kishen, nor as a drunken imposter playing saxophone. He does master the double role brilliantly for sure, but did not make me believe him a single word.

"Oh no! When I think that impostor is wearing my coolest sweaters right now!"

Juhi on the other hand was as perfect as one could wish. As a simple village belle with feisty nature she was just lovely to look at, and even after getting a sexy make-over in the second part there was still beautiful innocence to her. Her comic timing was spot on as always. Her real partner in terms of comedy was none other then Shakti Kapoor in one of his completely insane over-the-top roles, doing things, faces and sounds nobody else could ever pull off, unless making everyone think he has just escaped the mental asylum. Another one given supposedly comic scenes was Kader Khan, sadly he fails to impress and his part in the film doesn´t make sense at all. I have to note that this is possibly the first film that has ever presented me with evil Alokh Nath!

As perverse as it may sound, these two are the best thing about the film.

One scene which I found nearly unwatchable was when Rishi´s real dog (cause even it has a double!) finally finds its Master and Rishi beats it up, thinking the dog betrayed him earlier. After realizing his mistake, Rishi encourages the dog to fight its double. Seeing the two dogs biting each other did not give me any pleasure or satisfaction, and Juhi cheering during all that made it even more wrong (remind me of Darr, when she was screaming „Kill him, kill him“ from the top of her lungs, while Sunny Deol beated the heck out of Shahrukh Khan. That too was wrong, even if for another reason :) ).

Music doesn´t make the film stand out either, in fact the song in the club, after Rishi discovers his double´s identity, is pretty much awful – which covers everything from melody, lyrics, costumes and choreography. The title song is lovely, giving us a pleasant glimpse of lovely Juhi in traditional Indian attire, but is not ground-breaking either.

In the end I know there are other films out there, which do make Juhi even lovelier and funnier, which make Alokh Nath a good human being, which make club scenes rocking, which make Rishi Kapoor less ridiculous. 

"What does RIDICULOUS mean?"