Bollywood-ish

Thursday, 26 May 2011

7 Khoon Maaf

Directed by: Vishal Bhardwaj
Starring: Priyanka Chopra, Neil Nitin Mukesh, John Abraham, Irrfan Khan, Aleksandr Dyachenko, Annu Kapoor, Naseeruddin Shah, Vivaan Shah
Released: 2011
Verdict: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing


I had NO expectation whatsoever, because even though I like Priyanka, I wouldn´t call myself a fan, and even though I liked the little bits of the story I´ve heard, I wasn´t sure if it would be good enough - and to be frank I did not like the trailer at all. If anything, I found the movie interesting. From psychological point of view it is an excellent piece of work. Presented in flashbacks, a story of Susanna slowly unfolds in front of us. A young woman, who never loved anyone more then her father (as her mother died too early), just lost her support in life. And with her father´s death she is beginning to look for that one man, who will give her the same amount of love, caring and security. But it is obviously way too much to ask for and Susanna, with every new step she takes on her journey looses her original naivity, innocence and illusions.
Beautiful, young and innocent
This is what marriage does to you!
From everything – the trailers, promo pictures and even the title itself you can be pretty sure what is the film about. Susanna, in her search for love, kills all her husbands, in one way or another. But still, even though you know that she´ll kill them all, you are always eager to know why? They are all very different guys. They have qualities others admire. But they also have some major flaws. And every time Susanna marries, you already wonder just what is wrong with the new guy because there just HAS TO be something....). Equally interesting it is to watch her getting rid of them one by one. Priyanka may be the only performer after Shahrukh Khan that you will feel sorry for even though she´s a mass killer. The scenes were not exactly graphic, but just knowing what is going on in the frame could make you sick (I sure did feel sick several times).

I was somehow confused at first since it is supposed to be 7 murders, but I could only count 6 of them. There are two options, which in my opinion might explain the seventh murder. One theory is that Susanna symbolically killed herself with entering into the order in the end, or that she just as symbolically killed the Christ with her previous sins. If you are familiar with Christianity, I´m sure you´ll understand what I mean. The second theory is much more simple: Susanna felt responsible for the death of her maid and counted that one as one more murder. Or am I really missing something and all this thinking is wrong?
Husband no.1 : Violent, possesive, jealous.
Husband no. 2: Drug addict. (something tells me this is what John wears at home)
Husband no. 3: Poetic and sadistic.
Husband no. 4: Spy and already married.
Husband no.5: Way too horny.
Husband no. 6 : Trying to kill you. Duh.
The story unfolds very naturally, and all the flashbacks are very seamlessly thrown in. As I have mentioned the plot is predictable, but there is still no shortage of surprises, and the ending is brilliant. Only the scene with Susanna having a "vision" was a bit awkward, I would have preferred for her to actually be alone in the room, maybe with some light effects or something...... This was way too much in-your-face and it somehow didn´t have any magic or excitement to it. Still there are not many negatives I can think of right now. What made it were especially the performances.

It is more then safe to claim the film wouldn´t be half as good if it wasn´t for Priyanka. This is her film through and through. In fact she made it so much hers I cannot really picture any other actress in the role. She was perfect. She managed to portray a very complex and atypical character, who – in addition – leads you through her whole life. From naive and innocent Suzie she effortlessly becomes Sultana or Anna, always willing to sacrifice her identity in the name of love. She gets tougher and tougher with each wrong step she takes, and it costs her dearly. Energy and vivaciousness are vaining, until she becomes a wreck. And from there she again manages to rise – and do the most sensible decision of her life. She is not somebody you would hate, and puts you into a strange position with her ability to make you sympathize with her despite all those things you know are just wrong. But in the end of the day you cannot help but feel her insecurity, which results into trusting easily and not minding changing the religion. With Susanna, who is a bit Christian, bit Hindu, bit Muslim and bit who knows what else, you get a clear message: God is Love, no matter how you call Him. I was also glad that even though Priyanka was presented beautifully and sexy, there wasn´t anything vulgar about her portrayal.
Love doesn´t care....
...for nationality...
...or religion.
Though they all had a limited screen space, the husbands manage to hold their own. The weakest is John Abraham, but that doesn´t come exactly as a surprise. Mr. Shah was my favourite, but I might be a little biased in his favour (cause I simply love him!). Irrfan Khan too does a brilliant job, and Russian actor Aleksander Dyachenko too makes a strong impact. The supporting cast too does a good job. I must admit that Susanna´s three faithful servants could scare the heck out of the Addams family any day. The newcomer Vivaan Shah looks very promising and it was very pleasant to see Konkona Sen Sharma in her cameo, even if for several minutes.

Technically the film isn´t the best. Music doesn´t leave any mark with the sole exception of „Darling“, which is a note by note rip off of a popular Russian folk song Kalinka (at least the makers did not try to act as if it was theirs, as it is pretty common in Bollywood).

7 Khoon Maaf doesn´t exactly deliver when it comes to emotions and connecting with the audience, there is no message either. For me it was a fascinating psychological trip into a soul of a woman desperately searching for love. It is a dark film, not fit for you if you get easily depressed.

Thursday, 19 May 2011

We Are Family

Directed by: Sidhart Malhotra
Starring: Kareena Kapoor, Kajol, Arjun Rampal
Released: 2010
Verdict: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing


I never expect much from remakes, but I´m always giving them a chance. I have seen some good ones over the years, some not good ones but still enjoyable, and some even better then the original. Unfortunatelly „We are family“ doesn´t fit any of those cathegories.

So what have we here? It has been three years since Aman and Maya got divorced, but obviously they are absolutely at ease with each other. They have three children, all healthy, reasonably happy and unreasonably annoying. The idylic life continues up until the moment Shreya falls into it (literally). She is Aman´s girlfriend, and that combined with one ruined birthday cake makes her an evil witch for the children. Unlike Maya she has career ambitions, and though she honestly loves Aman, taking care of his three hyper-sensitive and hysterical children is not her idea of a day spent well. Plus she has no idea how to do so either. So the next thing you know she is left with them all alone for a whole day. She does her best. She cooks for them. She takes them out for an ice-cream. She tries to be friendly. They behave like the worst bunch of spoilt brats (OK – to be fair, this is mostly about the eldest one). And in the end of the day Maya demands that Sherya should never ever be left alone with her innocent little angels (a slap or two once in a while would do them all good!), because she represents danger to them. Why should they get friendly with a person their father loves anyway? And they don´t need another mother. Or do they?
Will you take care of my three annoying kids and over-submissive ex-husband?
Sure. That is my childhood fantasy.
But soon enough Maya finds out that she has cervical cancer. Aman´s immediate reaction is to break up with Shreya, then he moves back in with Maya to ensure children and her will be looked after. But now Maya sees that it just may not be enough.... and she herself asks Shreya to give up her career, all her dreams and come to take her place with completely everything from dressing the three bratty kids in the morning to baking cookies for the family.... I think that most of you already can guess the outcome of the film.

WAF (known among many Bollywood fans more appropriately as WTF) is lame. And if you don´t think it was lame, then you cannot call it anything else but average. And it is also a great example of how a moving story can turn out awkward. I did not understand why it takes place in Australia. There is not ONE reason for that. And I did not understand why Kareena Kapoor got a Supporting actress award, when she is so clearly the main lead. Kareena is the true saving grace of the film. Her character could very easily turn into an unlikeable one, especially seen through traditional Indian eyes. She was „the other woman“. But she managed to be just wonderful and you cannot help but rooting for her in everything she does. There is both subtlety and strength in her character, the whole range of emotions and she approaches the role with a mature understanding. Kajol too does more then well, after all she is one of those actresses who cannot be bad, sadly the script lets her down a big time. There is really not much she can do except slowly fading away – and making herself rather unlikeable with constant jealousy and over-protectiveness.
I promise I´ll do the dishes just gimme one decent dialogue!
Arjun is lost between the two women. Even little Anjali and Ankush take over him when it comes to both screen-time and screen-presence. Which is rather sad, because he is a fine actor and his jodi with Kareena was delightful in the few romantic scenes we were given. His pairing with Kajol though doesn´t work at all. He is not only sidelined, but has really no place in the film, and probably realizes what it was to be a heroine in the 80s (used as an excuse for a plot and then to disappear into oblivion). The children are casted well, if they were meant to be annoying that is. While „Anjali“ and „Ankush“ loose the annoy-me factor througout the film and become cute, „Aleya“ maintains her coldness and over-acting. The two younger kids manage to create some bond with Kajol (Arjun is yet again left out of his own family), but Aleya is completely out of place from beginning to end.

They need a) a book b) a crown c) a tight slap.
The scenes with a potential to be moving are killed off by either 1. over-the-top hysteria, 2. done-to-death dialogues, 3. awful music. The last factor was particularly disturbing. The main theme is lovely to hear once, but it keeps returning again and again without any change to it, and soon enough becomes cringe-worthy. The emotional moments are marked by unforgivably insensitive rock song and do not even get me started at the horrendous Jail House rock remake – both the song and picturization (or the pointlessness of that whole scene. Dying mother wants to show her family that she is fun now. Like really?)

Instead of sobbing heartily I caught myself thinking about the fried chicken with chips about 20 minutes before the end. The artificial, straight-forward tear jerker made me hungry, but definitely not for more.
Arjun Rampal. The modern day version of the 80s Bollywood heroine.

Sunday, 15 May 2011

The Magic of Madhuri

For the past seven days we have been celebrating the gorgeous diva Madhuri Dixit and her contribution to Indian cinema. Whatever could be said, was said. Whatever could be posted, made it´s way to internet. And still there is so much uncovered ground! Because I know that many people are still working on something, I decided to ignore the deadline given by the May 15th. Everyone is most welcome to send me the links to their articles during the next week also, you can be sure I shall add it to this post too.


And so HAPPY BIRTHDAY MADHURI-JI. For all the smiles, for all the dances, for all the emotions you have shared with us through your craft. You remain very much loved and in eyes of many unmatchable. This all is dedicated to you as an expression of love your fans and well-wishers, as an appreciation of all cinema lovers. Happy birthday to you.

And here comes the promised logo made by Vishal K Bharadwaj. And he has done a brilliant job! (thank you!!) All the participants are most welcome to use the image on their blogs if they want to!


And here are the articles published under The Magic of Madhuri week banner, in order as they were published:


Madhuri Dixit - when name weaves magic

Madhuri. What else? 

Ankhiya Milao Kabhi Ankhiyan Churao 

When dil goes dhak dhak (part 1)  

When dil goes dhak dhak (part 2)  

The Magic of Madhuri - Dhak Dhak karne laga 

Why do I love Madhuri Dixit? 

Can Madhuri´s magic be captured? 

Madhuri´s forgotten dances 

You watched Koyla? Bloody fool! 

Madhuri and her men 

Madhuri loved and hated 

Reflections about the screen jodi Sanjay Dutt and Madhuri Dixit 

How do you solve a problem like Madhuri?  

Aaja Nachle 

Koyla 

Que Sera Sera 

“Zindagi Ek Juaa” Madhuri as drug fiend! 

Madhuri´s interview for Movie magazine, 1996 

When Madhuri Dixit was a South Indian Film Hero (Two Degrees of Prakash Raj) 

It’s been three years since I last did a post for Madhuri Dixit’s birthday… 

How to dress like Madhuri 

Madhuri Dixit - the ultimate woman 

Madhuri Mania: My favourite Madhuri Dixit songs 

Mujhe Neend Na Aaye 

How I wasn´t happy when Madhuri Dixit signed a new film 

Love you Raja 

Madhuri signs Satte Pe Satta Remake 

How to eat a hero

Looking for Magic 


Those are all the articles I have received. If I have forgotten any, do not hesitate and let me know! Thank you all for participating and making this week special!!!